Tebori tattooing is such an ancient technique its history dates back to around the 18th century, and the various techniques used for creating these tattoos are complex and require years of apprenticeship. Because it’s a traditional art and not a sign of rebellion, the attitudes surrounding Tebori tattoos are more serious and personally reflective. They also tend to be “bodysuit” style, like the ones you see in the Japanese movies about the Yakuza mafia. Most people who get Tebori tattoos usually work with a tebori master, allowing them to have a piece of art permanently imprinted onto their body. And just in case you were wondering, the word ‘tebori’ loosely translates to “hand carving.”
Mario Barth’s Annual Tattoo Show in Secaucus, NJ, called Inked Out (sound familiar?), will be bringing the most sought after Tebori master in the world to this side of the globe the weekend of Sept. 23 until Sept. 25. All the way from Japan, his name is Master Horitoshi I, the head of the world famous Horitoshi Tattoo Family, and a close personal friend of Mario Barth. Horitoshi I is a master of the ancient Japanese tattoo technique, and he holds the secrets to many of the ancient techniques and mythologies of Japanese tattooing.
Horitoshi I began studying the craft when he was about 21-years-old in Tokyo and basically learned the art all by himself. It took him about 10 years before he could actually support himself as an artist and it took him even longer before he truly mastered the art. Today, Horitoshi’s son, Horitoshi II, runs and operates his own tattoo studio, while he has many deshi - or apprentices - under him learning the Tebori technique.
One thing that I did find interesting about Horitoshi I is that he claims that 80 percent of his customers quit prematurely because he said that it takes a certain amount of character to endure the pain of the Tebori tattoo and to see the work to completion. Can you endure the pain of Master Horitoshi I? If you think that you can, you can make your appointment now with him at inkedoutnj.com to be tattooed by him at this year’s Inked Out Tattoo Show presented by Mario Barth in Secaucus, NJ, the weekend of Sept. 23 till Sept. 25. Try to find Master Horitoshi I on YouTube before making any appointments.
Showing posts with label Tattoo Expo. Show all posts
Showing posts with label Tattoo Expo. Show all posts
Coney Island USA's Tattoo and Motorcycle Festival
Coney Island has a long history as one of the greatest tattoo centers in New York City and the world.
Coney Island USA's Tattoo and Motorcycle Festival celebrates the great blue-collar arts of tattooing and of motorcycle customization. Started in the bad old days of 1986 when tattooing was still illegal in NYC, the Coney Island Tattoo and Motorcycle Festival is both the oldest gathering in New York City and brings together cutting edge New York City artistic innovation and attitude in the traditional home of the tattoo.
Every year, entrants compete for trophies as they show their tats in the Sideshow by the Seashore Theater or parade their motorcycles on West 12th Street before our panel of judges. Tattoos are judged in the categories of Black and White, Color, Tribal, Back and Butt, while Motorcycles compete in the categories of Custom, Stock, Oldest and Ugliest.
This year the Coney Island Tattoo and Motorcycle Festival will be honoring Crazy Philadelphia Eddie (a.k.a. Coney Island Eddie). Crazy Philadelphia Eddie tattooed in the very home of Coney Island USA's Sideshow by the Seashore Theater and once tattooed the face of world-famous sideshow performer Jack Dracula. Noted Tattoo Artist and Historian Mike McCabe, who literally wrote the book on New York City tattooing, will introduce Crazy Philadelphia Eddie.
Carlo from Studio Enigma will reminisce about tattoo pioneer One-Eyed Max Peltz and Coney Island USA founder and the Permanently UnelecTed Mayor of Coney Island Dick Zigun will be getting a personal tattoo of the Cyclone Rollercoaster in flames.
The event will include over 100 customized motorcycles, live music, and New York's finest Sideshow performances.
Motorcycle Free Parking/Display Noon - 10 PM (Free)
Contest/Rally - 7 PM (Free)
West 12th Street @ Surf Avenue
Bands on West 12th Street (Free)
1 PM - 6 PM
Spanking Charlene
Mystical Children
Last Freakshow of 2011
6 PM $10
TATTOO FESTIVAL 8 PM
$10 (Half Price If You Show Ink)
MC's: Little Jimmie & Dick Zigun
Coney Island USA
1208 Surf Ave. (between Stillwell Ave. and West 12th Street)
Brooklyn, NY 11224
718-372-5159
D,N,Q,F Trains to Stillwell Ave.
www.coneyisland.com
Coney Island USA's Tattoo and Motorcycle Festival celebrates the great blue-collar arts of tattooing and of motorcycle customization. Started in the bad old days of 1986 when tattooing was still illegal in NYC, the Coney Island Tattoo and Motorcycle Festival is both the oldest gathering in New York City and brings together cutting edge New York City artistic innovation and attitude in the traditional home of the tattoo.
Every year, entrants compete for trophies as they show their tats in the Sideshow by the Seashore Theater or parade their motorcycles on West 12th Street before our panel of judges. Tattoos are judged in the categories of Black and White, Color, Tribal, Back and Butt, while Motorcycles compete in the categories of Custom, Stock, Oldest and Ugliest.
This year the Coney Island Tattoo and Motorcycle Festival will be honoring Crazy Philadelphia Eddie (a.k.a. Coney Island Eddie). Crazy Philadelphia Eddie tattooed in the very home of Coney Island USA's Sideshow by the Seashore Theater and once tattooed the face of world-famous sideshow performer Jack Dracula. Noted Tattoo Artist and Historian Mike McCabe, who literally wrote the book on New York City tattooing, will introduce Crazy Philadelphia Eddie.
Carlo from Studio Enigma will reminisce about tattoo pioneer One-Eyed Max Peltz and Coney Island USA founder and the Permanently UnelecTed Mayor of Coney Island Dick Zigun will be getting a personal tattoo of the Cyclone Rollercoaster in flames.
The event will include over 100 customized motorcycles, live music, and New York's finest Sideshow performances.
Motorcycle Free Parking/Display Noon - 10 PM (Free)
Contest/Rally - 7 PM (Free)
West 12th Street @ Surf Avenue
Bands on West 12th Street (Free)
1 PM - 6 PM
Spanking Charlene
Mystical Children
Last Freakshow of 2011
6 PM $10
TATTOO FESTIVAL 8 PM
$10 (Half Price If You Show Ink)
MC's: Little Jimmie & Dick Zigun
Coney Island USA
1208 Surf Ave. (between Stillwell Ave. and West 12th Street)
Brooklyn, NY 11224
718-372-5159
D,N,Q,F Trains to Stillwell Ave.
www.coneyisland.com
Tattoo Art In the Philipines - Dutdutan
Dutdutan: (doot-doot-ahn) - a Tagalog word meaning to continually insert or jab.
Now on it’s 11th year, Dutdutan is now synonymous with tattoo art in the Philippines. At least that’s how a lot of tattoo enthusiasts in the country would like to view it.
For the 15,000 or so who congregated at the World Trade Center in Manila on August 26 and 27, the biggest tattoo show this side of the earth is also a definition of the alternative lifestyle that they have chosen.
But according to the organizers, tattoo art was not always part of the alternative scene. Native Filipinos have a rich history of tattoo art dating back to pre-colonial dates. In fact, when the Spaniards first got here, they were greeted with a heavily tattooed Visayan tribe and they called the islands “La Isla De Los Pintados” meaning the “Island of the Painted Ones.”
Christianity and western culture eventually supplanted that practice and not until we fast forward to the 90s do we see the rebirth of skin art.
The man and talent behind that is Ricky Sta. Ana, who started the yearly gathering with a small group of tattoo artists and customers. Eleven years later and supported by a major alternative lifestyle brand, Tribal Gear, the show has now taken on a bigger vision.
It is now a convention, known in the skin art circle around the world and they are even able to bring in the best tattoo artists from around the world to prove that. Underlying this achievement is the organizers’ cause to eliminate the stigma of skin art as taboo, since it has always appealed to the rebel crowd and the unconventional.
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