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Last Rites Gallery
511 W 33rd Street, NYC
212.529.0666
Showing posts with label Gallery. Show all posts
Showing posts with label Gallery. Show all posts
Tin: Internal Clock soon at Last Rites Gallery - New York City
Tin: Internal Clock
October 1st – October 23rd
Opening Reception:
Saturday, October 1st, 7-11pm
Last Rites Gallery presents Internal Clock, new works by Tin, in what will be the artist’s second solo show at the gallery.
Working with a neutral color palette of oil pastels, artist Tin creates dream worlds where beautiful women intermingle with rigid machinery. His exaggerated female forms maintain a sensual pin-up quality, while casting an undeniable air of mystery. Combining innocent eyes and soft flesh with manufactured industrial parts, the viewer is lured into a dark fairytale where natural and mechanical elements seamlessly co-exist.
Influenced as a child by comic books and cartoons, Tin states that his real passion creating art did not come until later in life, spurned by a brush with his own mortality: “I sketched from time to time and did ok in high school art class. Then I became a fisherman, like the kind out of the movie Perfect Storm. I almost died three times and should have lost my drawing hand at least a dozen times. After my last close call with death I decided to become an artist.” Tin went on to do commercial and pin-up art for 7 years, but his art took a turn as he felt unchallenged with what he was creating. He says “The art I was doing had no heart. So one day I was finishing a pin-up girl and I remember saying out loud to myself ‘If I only had a heart’- which reminded me of the Tin Man from The Wizard Of Oz. At that moment I decided to do more interesting works and call myself Tin.”
Last Rites Gallery
511 W 33rd Street, NYC
212.529.0666
info@lastritesgallery.com
Last Rites Gallery Announcement
Laurie Lipton:
Carnival Of Death
New York, New York
October 1st – October 23rd
Opening Reception:
Saturday, October 1st, 7-11pm
Last Rites Gallery presents The Carnival Of Death, new works by Laurie Lipton, in what will be her first solo show at the gallery.
A master of graphite, Laurie Lipton’s detailed drawings explore the passages of life and the portal into death. With technical prowess, she approaches her subject matter with a unique blend of both elegance and dark humor. Influenced by Día de los Muertos iconography, this exhibit runs just prior to The Day Of The Dead, commemorating the holiday by which it was inspired.
“I became fascinated by the contrast between the Day Of The Dead festival in Mexico and my experience of my mother's death. My parents were atheists. We had no ceremony, no goodbyes, no "closure". My father instructed the hospital to cremate my mother and dispose of her ashes. She was gone, disappeared, zapped out of existence. I was left with Nothing... literally and metaphysically. Friends & family treated my mother's death like an embarrassment. They awkwardly murmured Hallmark platitudes before slinking uneasily away. Death is as forbidden a topic in modern society as sex was in Victorian England.
When I visited Mexico in order to see The Day Of The Dead festival some years later, I couldn't help feeling envious of their approach to mortality. Families gathered on graves and picnicked, whole villages turned up with food for households in mourning. Death was treated as normal, even silly. Candied skulls grinned in their hundreds and skeletons danced in a fair-ground atmosphere. I decided to rebel against my heritage and create drawings inspired by the mood and atmosphere of the Mexicans. I decided to get in-touch with my bare bones. My culture runs from death, screaming. We worship youth, beauty and the illusion that we have all the time in the world. We frantically face-lift and botox, and throw pills, creams and money at death. We fool ourselves into thinking that death only happens to other people & only losers die. Skulls always look like they're laughing. Maybe the joke is on us?”
-Laurie Liption
About The Artist:
Laurie Lipton was born in New York and began drawing at the age of four. She was the first person to graduate from Carnegie-Mellon University in Pennsylvania with a Fine Arts Degree in Drawing (with honours). She has lived in Holland, Belgium, Germany,France and London and has recently moved back to the States after 35 years abroad. Her work has been exhibited extensively throughout Europe and the USA.
Lipton was inspired by the religious paintings of the Flemish School. She tried to teach herself how to paint in the style of the 17th century Dutch Masters and failed. When traveling around Europe as a student, she began developing her very own peculiar drawing technique building up tone with thousands of fine cross-hatching lines like an egg tempera painting. "It's an insane way to draw", she says, "but the resulting detail and luminosity is worth the amount of effort".
Artwork on Skateboards Made by Tattoo Artists
Art is a universal medium of expression. It can range from an intricately designed tattoo to artwork on the bottom of skateboards, which was the type of artwork showcased at the Chrome Lotus Tattoo and Art Gallery event Sunday, Aug. 28, from 4 p.m. to 8 p.m., called "No Grip Allowed!"
The art show was put together by Tara Renee, the Colonial Drive shop owner. Renee started out as a piercer in her hometown in Orange County, Calif. and has been tattooing for about six years.
Last Rites Gallery Announcement
Saturday, September 3rd, 7-11pm
Last Rites Gallery Presents...
Brian M. Viveros
Returning Art To The Unclean
Solo Exhibition
September 3rd - 25th, 2011
NEW YORK, NY (September 3rd, 2011)- Last Rites Gallery presents Returning Art To The Unclean, new works by Brian M. Viveros.
Known for his strong and sensuous depictions of women, Brian M. Viveros is a master of contemporary iconography paying homage to the femme fatale. While he almost exclusively paints portraits, within the expressions of his women is conveyed such deep emotion and overwhelming sexuality that his work is undeniably erotic. Often without even a hint of nudity, the viewer is seduced with a mere pout and gaze from his subject's faces. Although carrying on a long tradition of the alluring female in art, his work differs from Pin-Up style images of the past.
Aside from the absence of figurative representation, the commanding subjects in his art contrast "Cheesecake" ideology of the soft and innocent. Instead, with her empowered stare, the Viveros smoking bad-girls flaunt battle scars, tattoos, and army paraphernalia. A force to be reckoned with, she is the epitome of a subculture heralding a new era with shifting ideals.
This underlying concept of grit combined with sensuality is brought forth in his execution and paint handling, as flesh rendered with an almost touchable suppleness is juxtaposed by paint splatters and brushstrokes. With explosive compositions and an unmistakable style, Viveros creates 20th century representations of both beauty and culture.
Brian's paintings have appeared in museums and galleries throughout the world, and featured by media including Juxtapoz, Tattoo Society, Hi Fructose, Skin Two, and TLC's LA Ink. In 2005 Viveros made his directing debut with his short "Dislandia", and he has since created the full length feature "Southern" and other films, which have premiered internationally and have been featured on networks including The Sundance Channel.
In what will be Brian's second showing at the gallery, the opening will feature an all new collection of original paintings, as well as special rare prints from the artist's own collection; poster giveaway and signing; live "Smoking Army" performance; screening of Brian's films along with his new short, and much more.
For inquiries, please contact: info@lastritesgallery.com
Last Rites Gallery
511 W 33rd Street, NYC
Tel: 212.529.0666
www.lastritesgallery.com
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